{"id":1008633,"date":"2025-03-26T10:27:07","date_gmt":"2025-03-26T10:27:07","guid":{"rendered":"https:\/\/unpop.ces.uc.pt\/?p=1008633"},"modified":"2025-03-26T10:29:43","modified_gmt":"2025-03-26T10:29:43","slug":"affective-narratives","status":"publish","type":"post","link":"https:\/\/unpop.ces.uc.pt\/en\/affective-narratives\/","title":{"rendered":"AFFECTIVE NARRATIVES"},"content":{"rendered":"
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By Brigitte <\/span>Bargetz<\/span> and Nina Elena Eggers<\/span><\/span>\u00a0<\/span><\/strong><\/em><\/p>\n

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The notion \u2018affective narratives\u2019 captures the multidimensional entanglement of narrating and feeling in the political. Narratives recall memories, organize experiences, and (re-)imagine and legitimize politics. Yet, they are also affective. They help sort feelings and grasp atmospheres. They make emotional reactions recognizable and evoke political affects.\u00a0<\/span>\u00a0<\/span><\/p>\n

In politics, storytelling emotionally binds voters to political programs. The notion \u2018affective narratives\u2019 emphasizes narratives as narrative practices and, thereby, moves beyond the idea that affects are merely politically instrumentalized. It also exceeds the juxtaposition of narratives as discursive and affects as bodily expressions, underscoring, instead, the narrativity of affects and the affectivity of narratives.<\/span>\u00a0<\/span><\/p>\n

In an analytical distinction, affective narratives highlight the affectivity of (1) the story told, (2) the audience addressed, and (3) the narrators. The stories told (1) evoke feelings by creating tension, presenting figures of identification, and generating emotions such as sympathy, love, fear, and hatred. Affective states can be directed toward stories, while stories themselves make atmospheres intelligible and organize belonging. For the audience addressed (2) affective narratives act as spaces of imagination, identification, and attachment. When people listen to stories, they affectively relate to them and integrate them into their own experiences. Narratives simultaneously absorb and shape the audiences\u2019 moods. The narrators (3) also play a crucial role by framing affective orientations. Equally, they offer affective identifications through embodying their stories, for instance in cases of autobiographic storytelling.\u00a0<\/span>\u00a0<\/span><\/p>\n

Affective narratives are a mode of mediation in the political, capturing moods, providing imaginaries, fostering identifications, and negotiating attachments. As such, they also contribute to better understanding populism. For instance, by telling a story of the people betrayed by the elites, populists address people\u2019s affective states of insecurity and anxiety while simultaneously amplifying and legitimizing these feelings. Packaged in heroic stories of salvation, populists, here, present themselves as promises to restore sovereignty and political agency.<\/span>\u00a0<\/span><\/p>\n\t<\/div>\n<\/div>\n\n\n\n

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Related References<\/strong><\/strong><\/p>\n<\/div>\n\t<\/div>\n<\/div>\n\n\n\n\n

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Ahmed, Sara. 2004. <\/span>The Cultural Politics of Emotion<\/span><\/i>. Edinburgh: Edinburgh University Press.<\/span>\u00a0<\/span><\/p>\n

Amoah, Jewel. 1997. Narrative: \u201cThe Road to Black Feminist Theory\u201d. Berkeley Women\u2019s Law Journal 12: 84\u2013102. doi.org\/10.15779\/Z38FP3B.<\/span>\u00a0<\/span><\/p>\n

Bargetz, Brigitte. 2023. Affect, Populism, Politics: Paradoxical Promises of Agency. Paula Diehl and Brigitte Bargetz (Eds.). <\/span>The Complexity of Populism: New Approaches and Methods<\/span><\/i>.<\/span> London et al: Routledge, 73\u201389.<\/span>\u00a0<\/span><\/p>\n

Bargetz, Brigitte, and Nina Elena Eggers. <\/span>2023: \u201cAffektive Narrative: Theorie und Kritik politischer Vermittlungsweisen\u201d. Politische Vierteljahresschrift (PVS) 64: 221\u2013246. doi.org\/10.1007\/s11615-022-00432-4.\u00a0<\/span>\u00a0<\/span><\/p>\n

Bargetz, Brigitte, and Nina Elena Eggers. <\/span>2024. Promises of Sovereignty in Authoritarian Populism: A Feminist Critique. G\u00fcnter Frankenberg and Wilhelm Heitmeyer (Eds.). <\/span>Drivers of Authoritarism: Paths and Developments at the Beginning of the 21st Century<\/span><\/i>. Cheltenham: Edward Elgar, 308\u2013328.\u00a0<\/span>\u00a0<\/span><\/p>\n

Bhabha, Homi K. (Ed.) 1990. <\/span>Nation and Narration<\/span><\/i>. New York: Routledge.<\/span>\u00a0<\/span><\/p>\n

Diehl, Paula. 2019. \u201cThe Populist Twist. The Relationship Between the Leader and the People in Populism\u201d. Johannes Pollak and Dario Castiglione (Eds.). <\/span>Making Present. Theorizing the New Politics of Representation<\/span><\/i>. Chicago: University of Chicago Press, 110\u2013137. doi.org\/10.7208\/9780226588674-007.<\/span>\u00a0<\/span><\/p>\n

Freistein, Katja, and Frank Gadinger. 2020. \u201cPopulist Stories of Honest Men and Proud Mothers: A Visual Narrative Analysis\u201d. Review of International Studies, 46 (2): 217\u2013236. doi.org\/10.1017\/S0260210519000421.<\/span>\u00a0<\/span><\/p>\n

Gianolla, Cristiano. 2022. \u201cEmotion Narrative\u201d. Cristiano Gianolla and Ma\u00edra Magalh\u00e3es Lopes (Eds.). <\/span>Populisms and Emotions Glossary<\/span><\/i>. https:\/\/unpop.ces.uc.pt\/en\/emotion-narrative\/<\/span>\u00a0<\/span><\/p>\n

Haraway, Donna.<\/span> 2019. \u201cIt Matters What Stories Tell Stories; It Matters Whose Stories Tell Stories\u201d. a\/b: Auto\/Biography Studies 34 (3): 565\u2013575. doi.org\/10.1080\/08989575.2019.1664163.<\/span>\u00a0<\/span><\/p>\n

Hochschild, Arlie Russell. 2018. <\/span>Strangers in Their Own Land: Anger and Mourning on the American Right<\/span><\/i>. New York et al: The New Press.<\/span>\u00a0<\/span><\/p>\n

Massumi, Brian. 1995. \u201cThe Autonomy of Affect\u201d. <\/span>Cultural Critique 31: 83\u2013109. doi.org\/10.2307\/1354446.<\/span>\u00a0<\/span><\/p>\n

Ricoeur, Paul 1991. <\/span>\u201cNarrative Identity\u201d. Philosophy Today 35 (1), 73\u201381. 10.5840\/philtoday199135136.<\/span>\u00a0<\/span><\/p>\n

Somers, Margeret R. 1994. \u201cThe Narrative Constitution of Identity: A Relational and Network Approach\u201d. Theory and Society 23 (5): 605\u2013649. doi.org\/10.1007\/BF00992905.<\/span>\u00a0<\/span><\/p>\n

Wetherell, Margaret. 2013. \u201cAffect and Discourse \u2013 What\u2019s the Problem? From Affect as Excess to Affective\/Discursive Practice\u201d. Subjectivity 6, 349\u2013368. doi.org\/10.1057\/sub.2013.13.<\/span>\u00a0<\/span><\/p>\n

Williams, Raymond. 1977 [1961]. \u201cStructures of Feeling\u201d. Raymond Williams. <\/span>Marxism and Literature<\/span><\/i>. Oxford: Oxford University Press, 128\u2013135.<\/span>\u00a0<\/span><\/p>\n\t<\/div>\n<\/div>\n\n\n\n\n

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Cite this entry as:<\/strong><\/strong><\/p>\n

Bargetz, Brigitte and Nina Eggers<\/span><\/span>. 2025. \u2019Affective Narratives<\/span>\u2019<\/span><\/span>.<\/span><\/span> In <\/span><\/span>Populism<\/span>s<\/span> and Em<\/span>otion<\/span>s<\/span><\/span> Glossary<\/span><\/span><\/em>, edited by Cristiano Gianolla, Lisete M\u00f3nico, Maira Magalh\u00e3es Lopes and Maria Elena Indelicato<\/span>. <\/span><\/span>Available<\/span> at<\/span> https:\/\/unpop.ces.uc.pt\/<\/span>en<\/span>\/<\/span>gloss\u00e1rio<\/span><\/span><\/p>\n<\/div>\n\t<\/div>\n<\/div>\n\n\n\n\n\t\t\t<\/div> \n\t\t<\/div>\n\t<\/div> \n<\/div><\/div>","protected":false},"excerpt":{"rendered":"

Brigitte Bargetz & Nina Elena Eggers <\/p>","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[48],"tags":[52],"acf":[],"yoast_head":"\nAFFECTIVE NARRATIVES - UNPOP - UNpacking POPulism<\/title>\n<meta name=\"description\" content=\"The notion \u2018affective narratives\u2019 captures the multidimensional entanglement of narrating and feeling in the political. Narratives recall memories, organize experiences, and (re-)imagine and legitimize politics. Yet, they are also affective. They help sort feelings and grasp atmospheres. 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