{"id":1008655,"date":"2025-04-11T09:16:37","date_gmt":"2025-04-11T09:16:37","guid":{"rendered":"https:\/\/unpop.ces.uc.pt\/?p=1008655"},"modified":"2025-04-11T09:18:51","modified_gmt":"2025-04-11T09:18:51","slug":"affective-media-practices","status":"publish","type":"post","link":"https:\/\/unpop.ces.uc.pt\/en\/affective-media-practices\/","title":{"rendered":"AFFECTIVE MEDIA PRACTICES"},"content":{"rendered":"<div id=\"impressao\"  data-column-margin=\"default\" data-midnight=\"dark\"  class=\"wpb_row vc_row-fluid vc_row\"  style=\"padding-top: 0px; padding-bottom: 0px; \"><div class=\"row-bg-wrap\" data-bg-animation=\"none\" data-bg-overlay=\"false\"><div class=\"inner-wrap\"><div class=\"row-bg viewport-desktop\"  style=\"\"><\/div><\/div><\/div><div class=\"row_col_wrap_12 col span_12 dark left\">\n\t<div  class=\"vc_col-sm-12 wpb_column column_container vc_column_container col no-extra-padding inherit_tablet inherit_phone\"  data-padding-pos=\"all\" data-has-bg-color=\"false\" data-bg-color=\"\" data-bg-opacity=\"1\" data-animation=\"\" data-delay=\"0\" >\n\t\t<div class=\"vc_column-inner\" >\n\t\t\t<div class=\"wpb_wrapper\">\n\t\t\t\t<div id=\"fws_69e572b4218d0\" data-midnight=\"\" data-column-margin=\"default\" class=\"wpb_row vc_row-fluid vc_row inner_row\"  style=\"\"><div class=\"row-bg-wrap\"> <div class=\"row-bg\" ><\/div> <\/div><div class=\"row_col_wrap_12_inner col span_12  left\">\n\t<div  class=\"vc_col-sm-10 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone\"   data-padding-pos=\"all\" data-has-bg-color=\"false\" data-bg-color=\"\" data-bg-opacity=\"1\" data-animation=\"\" data-delay=\"0\" >\n\t\t<div class=\"vc_column-inner\" >\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t\n<div class=\"wpb_text_column wpb_content_element\" >\n\t<div class=\"wpb_wrapper\">\n\t\t<div class=\"postPeople\">\n<p><em><strong>By <span class=\"NormalTextRun SCXW245734586 BCX0\">Margreth<\/span> <span class=\"NormalTextRun SpellingErrorV2Themed SCXW245734586 BCX0\">L\u00fcnenborg &amp;<\/span><span class=\"NormalTextRun SCXW245734586 BCX0\">\u00a0Ana <\/span><span class=\"NormalTextRun SpellingErrorV2Themed SCXW245734586 BCX0\">Makhashvili<\/span><\/strong><\/em><\/p>\n<p>&nbsp;<\/p>\n<\/div>\n\t<\/div>\n<\/div>\n\n\n\n\n\t\t<\/div> \n\t<\/div>\n\t<\/div> \n\n\t<div  class=\"vc_col-sm-2 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone\"   data-padding-pos=\"all\" data-has-bg-color=\"false\" data-bg-color=\"\" data-bg-opacity=\"1\" data-animation=\"\" data-delay=\"0\" >\n\t\t<div class=\"vc_column-inner\" >\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<div class='printomatic pom-small-black' id='id9881'  data-print_target='div#impressao, .impressao, h1.entry-title'><\/div>\n\t\t<\/div> \n\t<\/div>\n\t<\/div> \n<\/div><\/div>\n<div class=\"wpb_text_column wpb_content_element\" >\n\t<div class=\"wpb_wrapper\">\n\t\t<p><i><span data-contrast=\"auto\">Affective media practices <\/span><\/i><span data-contrast=\"auto\">describe media users\u2019 emotion and affect-based reception of and engagement with different kinds of media. The concept encompasses an analytic approach to both the bodily dynamics of affecting and being affected between users and media technologies, as well as their subsequent discursive negotiation, reflection, and narration. The concept is rooted in an understanding of media not only as a means of communicating and mediating emotions and affects but also as actively producing <\/span><i><span data-contrast=\"auto\">feeling rules<\/span><\/i><span data-contrast=\"auto\">. These rules grant legitimacy to certain emotions, ways of feeling and public displays of feeling, while delegitimizing others or rendering them invisible. From a practice-theoretical perspective, we can assume that media users draw on the knowledge provided by media about appropriate feeling rules, which in turn shape the users\u2019 media practices. This results in reciprocal processes of affecting that also include moments of change, rupture, and transformation. Consistent with a relational concept of affect, affective media practices describe those modes of affecting and being affected, and their bodily and discursive manifestations that arise in interactions between media users and producers, media content, and media technologies.<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335559740&quot;:360}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">The concept was empirically investigated with reference to publics\u2019 affective engagement with TV shows by L\u00fcnenborg et al. As part of a study on the production and reception of reality TV, viewers of Germany&#8217;s Next Top Model were observed as they watched the show at home. This observation was documented on video and interviews were subsequently conducted. The study investigated how emotions and affects such as tension, disgust, enthusiasm, shame, anger, or outrage, which are produced in and through different aesthetic and discursive techniques of reality TV, are variously adopted, expressed, and embodied by the users (e.g., by ways of (pre-)enacting emotional expressions displayed on the show). In this way, the interaction with media and the associated circulation of affects between (human and media-technological) bodies can be analyzed as a mode of affective practice. The concept has also been discussed in relation to social media usage. Practices that arise in interaction between users, digital infrastructures and social media posts \u2013 such as liking, sharing or commenting \u2013 but also those that explicitly express and mobilize emotions and affects, such as trolling, cyberbullying or hate speech and online shaming, can be described as affective media practices.<\/span><\/p>\n\t<\/div>\n<\/div>\n\n\n\n<div class=\"divider-wrap\" data-alignment=\"default\"><div style=\"height: 10px;\" class=\"divider\"><\/div><\/div>\n<div class=\"wpb_text_column wpb_content_element\" >\n\t<div class=\"wpb_wrapper\">\n\t\t<div class=\"postPeople\">\n<p><strong><strong>Related References<\/strong><\/strong><\/p>\n<\/div>\n\t<\/div>\n<\/div>\n\n\n\n\n<div class=\"wpb_text_column wpb_content_element\" >\n\t<div class=\"wpb_wrapper\">\n\t\t<p><span data-contrast=\"auto\">Hochschild, A. R. (1979). Emotion Work, Feeling Rules, and Social Structure. <\/span><i><span data-contrast=\"auto\">American Journal of Sociology<\/span><\/i><span data-contrast=\"auto\">, <\/span><i><span data-contrast=\"auto\">85<\/span><\/i><span data-contrast=\"auto\">(3), 551\u2013575.<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559685&quot;:720,&quot;335559740&quot;:480,&quot;335559991&quot;:720}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">L\u00fcnenborg, M. (2021). Soziale Medien, Emotionen und Affekte. In J.-H. Schmidt &amp; M. Taddicken (Eds.), <\/span><i><span data-contrast=\"auto\">Handbuch Soziale Medien<\/span><\/i><span data-contrast=\"auto\"> (pp. 1\u201318). Springer VS. https:\/\/doi.org\/10.1007\/978-3-658-03895-3_24-1<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559685&quot;:720,&quot;335559740&quot;:480,&quot;335559991&quot;:720}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">L\u00fcnenborg, M., T\u00f6pper, C., Suna, L., &amp; Maier, T. (2021). <\/span><i><span data-contrast=\"auto\">Affektive Medienpraktiken. Emotionen, K\u00f6rper, Zugeh\u00f6rigkeiten im Reality TV.<\/span><\/i> <span data-contrast=\"auto\">Springer VS.<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559685&quot;:720,&quot;335559740&quot;:480,&quot;335559991&quot;:720}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">Makhashvili, A. (2023). <\/span><span data-contrast=\"auto\">Hijacking Solidarity: Affective Networking of Far-Right Publics on Twitter. <\/span><span data-contrast=\"auto\">In <\/span><i><span data-contrast=\"auto\">Affective Formation of Publics<\/span><\/i><span data-contrast=\"auto\"> (pp. 149\u2013172). Routledge.<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559685&quot;:720,&quot;335559740&quot;:480,&quot;335559991&quot;:720}\">\u00a0<\/span><\/p>\n\t<\/div>\n<\/div>\n\n\n\n\n<div class=\"wpb_text_column wpb_content_element\" >\n\t<div class=\"wpb_wrapper\">\n\t\t<div class=\"postPeople\">\n<p><strong><strong>Cite this entry as:<\/strong><\/strong><\/p>\n<p><span class=\"TextRun SCXW249228419 BCX4\" lang=\"PT-PT\" xml:lang=\"PT-PT\" data-contrast=\"auto\"><span class=\"NormalTextRun SCXW249228419 BCX4\"><span class=\"NormalTextRun SpellingErrorV2Themed SCXW240009553 BCX0\"><span class=\"TextRun SCXW132109883 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\" data-contrast=\"auto\"><span class=\"NormalTextRun SpellingErrorV2Themed SCXW132109883 BCX0\">L\u00fcnenborg<\/span><\/span>, M<span class=\"NormalTextRun SCXW132109883 BCX0\">argreth<\/span> and <span class=\"NormalTextRun SCXW132109883 BCX0\">Ana <\/span><span class=\"NormalTextRun SpellingErrorV2Themed SCXW132109883 BCX0\">Makhashvili<\/span><\/span>. 2025. \u2019Affective Media Practices<\/span><span class=\"NormalTextRun SCXW249228419 BCX4\">\u2019<\/span><\/span><span class=\"TextRun SCXW249228419 BCX4\" lang=\"PT-PT\" xml:lang=\"PT-PT\" data-contrast=\"auto\"><span class=\"NormalTextRun SCXW249228419 BCX4\">.<\/span><\/span> <span class=\"TextRun SCXW249228419 BCX4\" lang=\"EN-US\" xml:lang=\"EN-US\" data-contrast=\"auto\"><span class=\"NormalTextRun SCXW249228419 BCX4\">In <\/span><\/span><em><span class=\"TextRun SCXW249228419 BCX4\" lang=\"EN-US\" xml:lang=\"EN-US\" data-contrast=\"auto\"><span class=\"NormalTextRun SCXW249228419 BCX4\">Populism<\/span><span class=\"NormalTextRun SCXW249228419 BCX4\">s<\/span><span class=\"NormalTextRun SCXW249228419 BCX4\"> and Em<\/span><span class=\"NormalTextRun SCXW249228419 BCX4\">otion<\/span><span class=\"NormalTextRun SCXW249228419 BCX4\">s<\/span><\/span> <span class=\"TextRun SCXW249228419 BCX4\" lang=\"EN-US\" xml:lang=\"EN-US\" data-contrast=\"auto\"><span class=\"NormalTextRun SCXW249228419 BCX4\">Glossary<\/span><\/span><\/em><span class=\"TextRun SCXW249228419 BCX4\" lang=\"EN-US\" xml:lang=\"EN-US\" data-contrast=\"auto\"><span class=\"NormalTextRun SCXW249228419 BCX4\">, edited by Cristiano Gianolla, Lisete M\u00f3nico, Maira Magalh\u00e3es Lopes and Maria Elena Indelicato<\/span><span class=\"NormalTextRun SCXW249228419 BCX4\">. <\/span><\/span><span class=\"TextRun SCXW249228419 BCX4\" lang=\"PT-PT\" xml:lang=\"PT-PT\" data-contrast=\"auto\"><span class=\"NormalTextRun SpellingErrorV2Themed SCXW249228419 BCX4\">Available<\/span> <span class=\"NormalTextRun SpellingErrorV2Themed SCXW249228419 BCX4\">at<\/span><span class=\"NormalTextRun SCXW249228419 BCX4\"> https:\/\/unpop.ces.uc.pt\/<\/span><span class=\"NormalTextRun SCXW249228419 BCX4\">en<\/span><span class=\"NormalTextRun SCXW249228419 BCX4\">\/<\/span><span class=\"NormalTextRun SCXW249228419 BCX4\">gloss\u00e1rio<\/span><\/span><\/p>\n<\/div>\n\t<\/div>\n<\/div>\n\n\n\n\n\t\t\t<\/div> \n\t\t<\/div>\n\t<\/div> \n<\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>Margreth L\u00fcnenborg, Ana Makhashvili <\/p>","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[48],"tags":[52],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v19.13 - 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